"All American Sex Addict/Woke AF" at The Sargent Theatre of Actors is unique play. The real positive about this play is the even level of actors in this show; no one stands above the other in any noticeable way. In many off off Broadway shows one or two actors are leaps and bounds above the rest of the cast, but not here:the blend and workmanship is pretty consistent throughout the 80 minutes due to nice direction by Phoebe Leonard- Dettmann. While the female actors put forth a better performance than the male actors, the plot of the story keeps the audience locked in and we never really see any weak links.
Reminiscent of the 80's, 90's and well into the 2000's, off off Broadway had many shows like this one... raw, edgy and in your face; after Covid, however, many of the off of went the way of climate change, political and LGBTQ. It left a vacuum of what was off off Broadway and what it should be. Oddly enough, "All American" focused on the woke but in a fun way, a comical way. It poked fun at the up tightness of the politically correct, it drove a spike in a way at the heart of the easily offended. We get a debate about whether there is a such thing as a sex addict. According to Jack (Peter Buck Dettmann) there is, he has written a screen play that says so. Unfortunately, the people involved in the story are offended by the many things that Jack has to say. Jack will defend his writing by stating that there is no one more woke than himself.
As Jack is a real character, he firmly believes what he is doing and who he is doing it too is correct and justifiable. His ex girlfriend, Ashley (Shelby Allison Brown) has had it with him, she feels that Jack has not captured her in the movie. Andie (Danielle Aziza) who is pragmatic and the voice of reason tries to reel in the movie with her thoughts and comments. More insults fly when Riley (Alex Mayer) enters the play. She too is insulted at her being portrayed in a negative light. In Matt Morillo's play, we get a smattering of the absurd, and what it is like to live today in America.
Under greens, blues and cool white lighting, Maile Binion keeps the lighting basic. As in the staging, the basic lighting is unassuming and yet effective. The costumes range from creative to erotic. Where the policewoman's uniform was a comical touch, Riley's costume near the end of the performance was oozing sexuality, her dance was the creative highlight of the show.
Even though the show about an hour in gets slow for about 5 minutes, it is a worthwhile show to see. It has a bohemian edge to it as well as comedy and the PC bantering has the audience taking sides. In this small theater the audience feels like part of the action which adds to the plays allure.
