The Frigid Festival.

Robert Massimi Writes for New York Lifestyles Magazine and Metropolitan Magazine.

he Frigid Festival at The Kraine Theater has been in existence for 16 years and what better month than February to put it on! With any kind of festival, Fringe or otherwise, it is a potpourri of entertainment. With a wide variety of writers and actors some may find some really good works and conversely some really bad ones. In today’s two shows I saw two solo actors from two different backgrounds with two different lifestyles. Aside from their outlook on life, the audience was able to see these autobiographical pieces put forth with a sense of strength and vulnerability.

In the first piece: “Tomatoes Tried To Kill Me But Banjos Saved My Life” we get a deep-felt show by writer/actor Keith Alessi. Alessi, a Canadien tells us what it was like to grow up with a kind mother, an abusive father and his thoughts on living as a young dreamer. Like many Canadians that I have met, Alessi is a humble, kind soul who as an accountant built one of the biggest, most profitable companies in history. Looking at him one would never see anything but a common man. His hopes and thoughts are like any other human, however, as the show goes on, we realize he is anything but common.

From Italian ancestry, Alessi talks at first about his love of Tomatoes, his love of airplanes and his ability to grow up like everyone else from the true north; only he sets up walls where no one can get in. After being faced with a life-threatening disease, Alessi would set goals for himself. After hearing the “Beverly Hillbilly” theme song, he decided to take up the banjo. At first not good at it (he still is fair at best playing the instrument), he finds his traction with the instrument in the most peculiar place.

In this less than hour play we get to know this author, we feel both his pain and his humanity. Like all people he has his ups and downs but hearing him onstage we are riveted by what he has been through. We marvel what he has accomplished and at the same time we feel sorry for him. Like many a good story, we are happy that his ending till now is a good one.

“A Public Private Prayer”.

In Grant Bowen’s 50-minute show we get a different perspective. Bowen talks about growing up in Alabama in a Southern Baptist family. Seemingly confused from the onset, Bowen needs to be Baptized twice because he is not sure if the first time took the way it should have. In soul searching Bowen is never really sure if there is a God or not. He questions this throughout his life. Unlike Mr. Alessi, Bowen has not yet lived long enough to make his show as interesting as the former show; at least by the way Bowen tells his story anyway. The show becomes listless halfway through as if he ran out of consecutive piecing of his writing. Neither hot nor cold, but lukewarm is why this play spin in circles.

Bowen tries to be both funny and edgy in his writing and he never really rises to the occasion on either front. We do not feel for him the way that we feel for Keith Alessi. Even though Alessi has lived longer and has had a more exiting life, Bowen’s play only has him dealing with religion and what his parents think. Even though he is a professional actor, we only hear about a regional musical of “Godspell”. Having gone to acting camp he only talks about the gossip at the camp. It would have been better if he mentioned his thoughts on acting at the camp and what inspired him to be an actor in the first place.

The Frigid Festival runs through mid-March. If you are lucky enough to catch a good show it is worth it. On the weekends shows run throughout the day and it is fun to make a day/ evening out of it. The Kraine is at 85 E 4th St, NYC, NY.

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robert massimi

Drama critic for Nimbus Magazine, Metropolitan Magazine and New York Lifestyles Magazine. Producer, editor and writer.